Forthcoming Programme

Explore our 2023 exhibitions, featuring exhibitions with Howard Hodgkin, Richard Smith, Lewis Brander, Niamh O’Malley, Shaan Syed, Tanoa Sasraku, and Sebastian Lloyd Rees.

Niamh O’Malley: Lightbox
15 December 2023 – 17 February 2024

Join us on Saturday 16 December at 2pm

It is the artist’s first solo exhibition in London for six years

The painting is today widely recognised as not only one of Robyn Denny's most well-known paintings, but also a hugely significant painting in the history of post-war British art.

12 October 2023

The Arts Council Collection is the most widely circulated national collection of modern and contemporary British art

“Vardaxoglou’s presentation this year represents not only their debut at Frieze London, but also their first participation in an art fair. This is not for lack of interest, as the gallery has rapidly become a cult favourite on the London art scene since its opening in 2020.”

‘For its first ever art fair presentation, Vardaxoglou presents a solo booth by Tanoa Sasraku’

‘Twenty-seven-year-old Tanoa Sasraku is one to watch.‘

Eva Langret, director of Frieze London says, “The landscape is continuously changing and there is an increasing understanding of the difficulties of running a gallery. It is important for us to support the London scene and keep it alive.”

“Owners and directors of six leading galleries share highlights of their booths ahead of Frieze London, which runs from 11 to 15 October.”

The work was acquired by Arts Council Ireland Collection in 2022

Drawing Room opens in its first, permanent home after twenty years of nomadic activity, with a group exhibition including Tanoa Sasraku

The auction raises funds to support Nottingham Contemporary’s entirely free to access programme and the important work they do with artists and local communities.

Vardaxoglou Gallery will present a solo booth of new works by Tanoa Sasraku at Frieze London Focus Section, Stand H10, alongside a Tanoa Sasraku solo exhibition at the gallery.

[Shaan Syed] takes the visual language of American abstraction (Barnett Newman, Clyfford Still, Jasper Johns, etc) and smashes it into non-Western symbolism. Two works here depict the spiral minaret of the Great Mosque of Samarra in Iraq, but rendered as flat blocks, layered in steps; historic symbol becomes visual tool, a divider of the plane.

Niamh O’Malley in Coffee Conversation: Shelf by Niamh O’Malley on 14 June at 11am, at Hugh Lane Gallery, Dublin